Stop Stuttering: Get Creative

A wonderful example of creativity

A wonderful example of creativity


I’ve been thinking about creativity this past week, and I’ll be discussing it in this week’s issue of the ezine.

As freelancers, we tend to pay lip service to creativity, rather than doing it.

There are many reasons for this. If you’re working with a client, and he wants keyword content, you give it to him. He’s paying you, after all. In addition, with most clients, you just don’t have the time to spend on being truly creative.

But what about when you’re working on your own projects, when you have nothing to lose? Then, you can write what YOU want to write. How creative and innovative are you then?

Sadly, many freelancers find themselves holding back — “stuttering” I call it. You’ll read more about stuttering in this week’s issue of the ezine; they play follow the leader, instead of aiming for unique, and creative content.

I found a wonderful example of creativity here:

My unique twist was to change the saying to “Keep Calm and Hang On”. I also replaced the crown on the poster with an outline of a hanger. See what I did? (see right)

Share your thoughts in the comments.

Do you have the time to be as creative as you’d like to be? If not, what’s holding you back?

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Get Paid to Write: “Standard” Rates? Heh…

Devilish Writer: How to Charge What YOU Want, and Get PAID

Devilish Writer: How to Charge What YOU Want, and Get PAID

I’ve had several queries this week about “standard” rates for writing projects.

I cover this in detail in Devilish Writer: How to Charge What YOU Want, and Get PAID, so here’s an excerpt…

The “Standard Rates” Canard: Don’t Fall for It

Buyers who are experienced in hiring writers are different from those who are not. Many experienced buyers will use the specter of standard rates as a weapon against you.

Therefore, when you’re writing for a publication, or a business, or are negotiating a book contract, it’s usual for the buyer to offer you his “standard rate for this kind of work” which, he’ll proudly inform you is – $X.

(By the way, in publication guides, the Writer’s Guidelines are just guidelines, nothing else. They’re the standard rates ploy in print.)

When you hear an editor’s recitation of the his standard rates ploy, I’d like you to be quite cynical, and think, “Yeah, right.” (Don’t say it – but you should think it. :-) )

Please remember: there are NO standard rates, for anything at all. Editors have been beating writers over the head with this canard for decades, if not at least a century.

This is a biggie, and it’s the one big takeaway I’d like you to have from this book: THERE ARE NO STANDARD RATES FOR WRITING SERVICES.

Writers keep falling for “standard rates”, but please don’t. Editors and other buyers of your writing always have discretion.

I’ve learned this the hard way – over and over again. I learned that there are no standard rates for ANY writing service… Not for books, not for magazine/ newspaper articles, (and in the online world) not for web content and blogs.

Again: there are NO standard rates.

People will take advantage of you if they can. It’s in their interest to do so; it just means that they’re good at business, and it’s not an insult.

Anyone who likes your writing enough to make you an offer, is negotiating. They want you to write for them. Not only that, they have discretion on what they’ll pay you. So their first offer is just that, an offer, no matter how much they try to dress it up in “standard rates” clothes.

Here’s a rule of thumb which I employ, and which you can use too. When I hear anyone spouting off about their standard rates, I immediately triple the amount I first thought of, and then make that the very least I’ll accept for the project.

However, this rule of thumb comes with a warning. Don’t use it in your first year. Wait until you have some experience, and can use it with confidence. It works… but sometimes it doesn’t. Therefore you have to be quite prepared to walk away from the project, without looking back.

It works many times more often than it fizzles. Once you’re at the stage in your career where you have lots of ongoing projects, it’s powerful, because you genuinely don’t care whether or not they accept your rates.

You can get paid what you’re worth. Discover how in: Devilish Writer: How to Charge What YOU Want, and Get PAID.

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Create Your Kindle Ebook Empire FAST

Last week, I told you about the way to publish novels on the Kindle without writing them yourself.

Fiction is HOT on the Kindle; it out-sells nonfiction 6 to 1.

You don’t have to sell novels, you can just sell short stories. An online forum member posted that she’d started publishing her short stories on the Kindle platform. In 12 days, she published four stories at $2.99 each, and made $130. Of course, that’s just the start for her. As she creates more, she’ll sell more.

Let’s say you want to stick with NONFICTION however. You need a way of coming up with Kindle ebook ideas which SELL.

I have my own ways of getting ideas which work for me, but I’m always open to new strategies. So when I bought a product which will not only help me to get better ideas for my own Kindle publications, but will help me to get ideas for other products, as well as blog posts, I was hugely excited. I knew I had to share the strategy with you.

Here it is: the Kindle Idea Machine.

I’ve been using a form of this strategy for years. However, this will super-charge my own research. I’ve tried out the two strategies, and in 15 minutes, I’ve come up with five ebook ideas which I’ve already outlined. I’ll write each idea in three hours, and hey presto – a new ebook.

I won’t be creating LONG products. They’ll be short ebooks (more like long articles), filling one specific need each. I’ll be selling them for $2.99. This is an “impulse buy” price point. I’ll be emphasizing the length of the ebook in the product description, so that buyers know that it’s short, and that that’s the reason for the low price.

(If you’ve been selling ebooks at 99 cents, stop that. I told you why that’s a bad idea here – it leads to buyers devaluing the material.)

A Bonus for You

I have a bonus for you if you decide to buy the Kindle Idea Machine through this link – click here.

Your bonus is “Ebook Secrets”, which is a bonus to my Info Product Maestro product. It’s crammed with ebook writing and selling secrets. After your purchase, contact me at angela.booth@gmail.com with the subject line: KINDLE IDEA MACHINE PURCHASE. Forward your PayPal receipt to me in that message, and I’ll send you the bonus.

Remember, to receive your bonus, click here.

I LOVE this strategy, because it’s so simple and fast. Let me know how it works for you.

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KISS: Keep it Simple

Remember the basics when you write

Keep It Simple, Sweetie

The biggest challenge for new freelance writers, and for established ones too, is keeping it simple.

I’ve just spent the past week helping two writers who should be making great incomes, but aren’t, because they’ve forgotten the basics. (They’ve both been writing for magazines for years, and are finding the online world a challenge.)

It occurred to me that the basics may be a challenge for you, too.

The foundation of everything you write is your audience; that’s as basic as you can get. Nothing happens until someone reads what you write, and then (we hope) responds as you want and expect.

I created “Make Money TODAY: Create ”Instant“ Products for Fast Cash” because few writers understand their audience. New writers just want to write; established writers make incorrect assumptions about their audience.

Few writers are prepared to get back to basics, and keep it SIMPLE.

Let’s see how SIMPLE we can get.

The foundation of everything you write, or will ever write, is an audience. The more you understand that audience, the better.

I teach copywriters that the basic question you ask your clients is: “What response do you want?”

You need to ask yourself that question: “What response do you want?” with everything you write.

What response do you want from your audience when they read your writing?

If you’re writing fiction, you want your audience to have an emotional experience of some kind. The genre will tell you what kind of experience: mystery (the challenge of a puzzle); horror (the stimulation of fear); romance (another kind of stimulation :-) ) etc.

If you’re writing copy, you want your reader to do what your client wants him to do: place an order, make a phone call, visit a website, etc.

If you’re writing a webpage, you want the site visitor to do something: understand the company, be aware of the company, buy a product – whatever.

If you’re writing a blog post, you want the blog’s reader to sign up for a newsletter, develop trust, bookmark the site… you want SOMETHING.

Listen up: if you don’t know what response you want – STOP!

Your audience is fundamental: know who they are

You must understand your audience, and know who that audience is.

For example, let’s say that someone hires you to write a tagline. Big deal, right?

You can write a tagline in 30 seconds, no sweat. Sure, you can. However, you need to do a lot of preparation for that magical 30 seconds.

Copywriters charge $3,000 and more for a simple tagline. Here’s why: you MUST understand the audience. I spend at least ten hours researching a client’s audience before I think of creating a tagline.

Keep it simple: know your audience. Know the response you want from that audience – then you can write with confidence.

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Following Through with Your Own Projects: Get Them DONE!

Cat

How to complete your ebooks and sell them

Over past few weeks, I’ve received several messages from writers who have trouble following through on their own projects.

They get distracted. The wonder if the project is viable – will anyone buy their ebook once they’ve written it?

By the way, the solution to “will they buy it?” is to write your ebooks FAST. Write and sell your ebook in a day or less, and you’re done. Very little chance of distraction. :-) You’ll soon find out whether anyone will buy it.

Writing your ebook quickly, and selling it, not only helps with distraction and procrastination, it can be a wonderful research tool. Just write a “lite” version of your ebook, and sell it as a Kindle ebook. If it sells well, expand on it and create a complete version.

If you get bored…

Sometimes you love a project, and then you get bored with it. This happens to me. What can I say… my excuse is that I’m a Gemini.

Here’s the solution: work on more than one project at a time. I’m currently working on three ebooks. I have another five in the planning stages.

Some of my planned projects may never see the light of day. That’s fine. If I look at a project, and decide to nuke it, I do. Sometimes I come up with ideas and start working with them, then decide that for whatever reason, I can’t be bothered. Sometimes I’ll mothball a project; usually I just delete it.

Warning: if you’re a butterfly-mind person, as I am, commit to COMPLETE the projects which make it to your Current Projects list. Give them deadlines. Meet the deadlines. Otherwise, you’re back where you started – bored and distracted.

Ensure that only projects which you’re actively developing, and which have deadlines, make it to your Current Projects list.

Completing projects needs to become a habit. Once it’s a habit, you can relax, but take your own deadlines just as seriously as you do your clients’ deadlines.

Be aware of Bright Shiny Objects Syndrome (BSOS)

BSOS is common. You’re working on a project, and you come up with the PERFECT project. You’re convinced that this new ebook, or whatever it is, will be a hot seller. Everyone will love it. The project you’re currently working on looks like a mangy dog in comparison.

STOP!

Before you start working on the Bright Shiny Object (BSO), create a folder on your hard drive called Later (my Later folder is in Dropbox, so I can explore my BSOs when I’m out of the office.)

Dump the files for your latest BSO there.

Then get back to work on your current project, and FINISH it.

BSOs are always mirages. Recognize them for what they are, and tuck them away.

As we’ve said, completing projects is a habit. If you’re working on your very first ebook, just get it done. Get it selling. Then work on your next, and your next.

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Ebook Pricing: The Floor’s Going Up

Kindle

If you’re writing and selling ebooks, you’re confused about pricing. Who isn’t? If the big publishers don’t know how to do it, we can’t either.

However, there’s a glimmer of light in the darkness, as this article, Amazon 47North – Pricing Analysis | J.A. Marlow reveals. Pricing analysis shows the the floor of Kindle ebook prices is going up, and recommends that you:

“Think long and hard over the $.99 and $2.99 price points unless it is a part of focused and well-planned promotion or marketing blitz. Notice Amazon still has a higher list price on the novels. There is a reason for that. They have a higher regular place and the deep discounts may not last long.”

I completely agree. There’s NO POINT, as I’ve said many times in the 99 cent price, and other low prices, unless you have a loss leader strategy — I discussed this here.

Don’t be afraid of charging decent prices. Low prices can hurt you.

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PLR Genius Week 4 Update: Some Changes, Moving Forward

Week four was one of my most sought-after updates in the PLR Genius program. I couldn’t wait to see how someone as prolific as Angela would suggest producing PLR.

What a deceptively simply system she shared. It didn’t disappoint. I’m re-vamping my PLR store as I’ve had a change of heart. I thought I wanted to build a mega PLR store, but I realized I’d rather sell exclusive, niche specific, premium PLR, so I’m looking at building PadPLR.com.

I am due for the next update of PLR Genius (the final update, number 5) any day now and I’ll be sure to give you an update…but I’m also going to run through the lessons again because of my change of heart/need for rebranding. I know the PLR Genius material will help me do this, and get things rolling for me.

I know this is a short update (maybe it was about time after those large posts from before!)…but there’ll be more updates to come!

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A Clever Kindle Publishing Strategy, But…

Genre novels

I’ve come across a VERY clever Kindle publishing strategy. It may not be for me. Perhaps it’s for you…

You know that I adore the Kindle, and Amazon Kindle Publishing. Amazon’s KDP program is without doubt the best thing to happen to writers in my 30 year writing career. I think it’s the best thing to happen in publishing since Gutenberg, but I digress.

Not only do I love Kindle publishing, I’ve created several products to help you to publish. All the products deal with publishing non-fiction on the Kindle.

Not that I’m against publishing fiction. Far from it. Fiction outsells non-fiction 6 to 1 on the Kindle. And indeed, I’m working on a series of novels for Kindle publishing, which I’ll publish later this year.

So I am keen on publishing novels.

However, publishing a novel (or a series of novels, so you get volume) takes TIME. I don’t care about time in my own business model. I started my writing career as a novelist; I’m not starting at zero when I write fiction. I have a reasonable expectation that the time I spend writing novels will be well rewarded.

But what about YOU?

Eliminate the Time Hassle When Writing Novels for the Kindle

Imagine my surprise when I found a strategy which all but eliminates the time-to-write hassle when it comes to writing fiction.

I knew I had to share it with you: here it is.

I’ve read this guide a couple of times. I LOVE the strategy. I can see that it eliminates the time hassle, and it has huge potential.

Although I’m happy to promote it, because I think it’s so clever and has huge potential for you, I do have one warning.

It’s this: if you’re looking for a free option, it’s not for you. That said, it’s a cheap (ultra cheap, really) way to get material for your novel, WITHOUT WRITING IT YOURSELF. You may have to do some editing, of course.

Beyond finding cheap material for your novels, the guide includes additional clever tips, including how to create great ecovers for your novels, without paying fees to designers. You can create great covers yourself in minutes.

A Bonus for You

I have a bonus for you if you decide to buy Megan’s guide.

If you go ahead and buy via this link, or those above, contact me at angela.booth@gmail.com with the subject line: MEGAN’S KINDLE X. Forward your PayPal receipt to me in the message, and I’ll send you my own guide to writing fiction: “Write Genre Novels (Commercial Fiction) For Fun And Profit.”

I love the strategy. It’s very clever. While it’s not for me, it may be hugely rewarding for you.

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Good Writing is Not a Natural Gift

writing  talent

If I had a dollar for every person who’s ever asked me whether they had writing “talent” I’d be able to retire and spend the rest of my life lazing on a beach.

Talent has nothing to do with it. To write well, you need to want to write well. You need to love words, and working with words.

David Ogilvy, one of my writing heroes, said: “Good writing is not a natural gift. You have to learn to write well.”

This article, brand dna: How to write, reports Ogilvy as saying:

“The better you write, the higher you go in Ogilvy & Mather (advertising agency).

People who think well, write well.

Woolly minded people write woolly memos, woolly letters and woolly speeches.

Good writing is not a natural gift. You have to learn to write well. “

Read the article.

And take “Good writing is not a natural gift. You have to learn to write well”
to heart.

Since “good writing” is highly subjective, you need to decide what it means to you.

Good writing, to me, means P.G. Wodehouse. He’s a master. On my walk this morning, I listened to Uncle Fred in the Springtime, read by Michael Jarvis. I’ve read the book many times, but hearing it helped me to focus on the words. Wodehouse is a master of English prose. I don’t mind dying, but I’ll mind not being able to enjoy P.G. Wodehouse.

Once you’ve decided what “good writing” is for you, read it. Read everything you can. Writers are readers.

Accustom yourself to falling far, far short of your own “good writing” ideals. You’ll never reach them, and that’s fine. It’s why they’re ideals to you.

Then write. While good writing is not a natural gift, the desire to write IS a gift.

If you’ve been given the desire to write, write.

Readers are a gift too. Do your best by your readers, always. Then, talent or no, you’ve done your best by the gift you’ve been given.

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When Things Go Wrong

Ipad

Keep Writing: Productivity is Income for Writers

That grinding noise you can hear is my teeth…

My brand new (less than a month old) iPad is on the fritz. Ho hum. It just won’t turn on. It’s an expensive sheet of aluminum and glass.

It’s very annoying, because I did three hours of work on it yesterday at the library and none of it is backed up. I keep telling myself it’s only three hours’ worth… And it doesn’t help much. :-)

The work I’ll never get back includes: three planned scenes on a novel, notes for a new product, as well as several draft articles.

(Sound of much cursing.)

So what do YOU do when things go wrong?

The first thing you need to do is keep your head, and accept that you’ll be uncomfortable and distracted for a day or two, as you rescue what you can from the disaster.

Accept that you won’t be able to rescue everything, and that you’ll lose precious time.

Productivity is income for a writer. This means that you’ll lose some income today, and probably for a few days.

Here’s what I’m doing:

* I’m reconstructing what I lost, while it’s fresh in my mind. Since I have a couple of deadlines, I don’t have time to type it out, so I’ll be dictating what I can remember as quickly as I can.

* I’m restructuring my workflow. To be honest, I hadn’t expected the iPad to become as much a part of my workflow as it has. It’s constantly beside me, and holds my planning material, as well as many outlines and notes.

Although having my outlines on my iPad is a small thing, it’s become an integral part of the way I work. I keep looking to my left, and expecting to see the iPad… :-)

* I’m looking through my schedule, to see what work I can move to the weekend, and early next week, so that I can cram the “rescue what I lost” tasks into today’s schedule.

Life happens. My little disaster is a small one. It could be much worse.

The key for any writer when disaster strikes is to get back to writing. Always keep your focus on your writing, and be as productive as you can.

If you’re having an uncomfortable day too, commiserations, try to relax. Get back to writing. :-)

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